Wednesday, 12 September 2012

Shot Sizes


Extreme Long Shot (XLS) :



  • Traditionally used in exterior
  • shooting.
  • Captures a large field of view.
  • Showing a large amount of
  • environment within film space.
  • Shows where. often used as an
  • establishing shot;
  • Shows when - day, night, winter, summer, past, present

Very Long Shot (VLS):
 
  • Similar to XLS but can also be used
  • in interior when enough width and
  • height.
  • Object of interest more visible.
  • - Establishing shot; character in an
  • environment.
  • Shows where, when and a bit more
  • of who.

Long Shot (LS):


  •  Full body is in shot, can see bottom of feet and top of head in frame.
  •  Interior or exterior shooting.
  • Object of interest takes attention away from the surroundings, but still visible.
  • Shows where, when and who - gender, clothing, movements and facial expressions visible.









Medium Long Shot (MLS):

  • Framing subject from the knee.
  • Object of interest is prominent, details in clothing, gender, facial expressions, props and accessories.
  • Showing more of who than where and when. But is still visible.






  • Medium Shot (MS):
  • Framing subject from the waist.
  • Object of interest is most prominent and see more detail - eyes and the direction they look, clothing, hair, facial expressions, body movements
  • Restricts freedom of gesture. Don’t break frame - body part touch or go out of frame.






  • Medium Close-Up (MCU):

  • Referred to as ‘two button’ as it frames subject from chest.
  • Commonly used when character is speaking, listening, or performing an action that doesn’t require much body or head movement.
  • Audience watching face, surroundings hold little importance.



    Close-Up (CU):
  •  Referred to as ‘head-shot’, as the framing may cut off at top of hair and at bottom of chin.
  • More intimate full face shot than
  • MCU - showing subtle emotions
  • across eyes, mouth and facial muscles.
  •  Audience totally focused on face.





Big Close-Up (BCU):

  • Face or object of interest occupies whole of frame
  • Such an intimate shot puts the audience directly in the face of the subject - every detail of the face is highly visible.
  • Can show how characters feels, but be subtle and restrict movement.






Extreme-Close Up (ECU):


  • Purely a detail shot - framing just one aspect - such as eye, mouth, ear, hand
  •  No point of reference to surrounding environment, audience has no context in which to place this body part.
  • Good shot to draw attention and show detail.



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