Extreme Long Shot (XLS) :
-
Traditionally used in exterior
- shooting.
- Captures a large field of view.
- Showing a large amount of
- environment within film space.
- Shows where. often used as an
- establishing shot;
- Shows when - day, night, winter, summer, past, present
Very Long Shot (VLS):
- Similar to XLS but can also be used
- in interior when enough width and
- height.
- Object of interest more visible.
- - Establishing shot; character in an
- environment.
- Shows where, when and a bit more
- of who.
Long Shot (LS):
- Full body is in shot, can see bottom of feet and top of head in frame.
- Interior or exterior shooting.
- Object of interest takes attention away from the surroundings, but still visible.
Medium Long Shot (MLS):
- Object of interest is prominent, details in clothing, gender, facial expressions, props and accessories.
- Showing more of who than where and when. But is still visible.
- Object of interest is most prominent and see more detail - eyes and the direction they look, clothing, hair, facial expressions, body movements
- Restricts freedom of gesture. Don’t break frame - body part touch or go out of frame.
- Referred to as ‘two button’ as it frames subject from chest.
- Commonly used when character is speaking, listening, or performing an action that doesn’t require much body or head movement.
Medium Shot (MS):
Medium Close-Up (MCU):
- Referred to as ‘head-shot’, as the framing may cut off at top of hair and at bottom of chin.
- MCU - showing subtle emotions
- across eyes, mouth and facial muscles.
- Audience totally focused on face.
Close-Up (CU):
Big Close-Up (BCU):
- Face or object of interest occupies whole of frame
- Such an intimate shot puts the audience directly in the face of the subject - every detail of the face is highly visible.








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